For a long time, music recording has been difficult for those without access to professional recording studios. The inability to afford expensive recording hardware has confined many musicians to the world of second-rate equipment, discouraging their ambitions to realize their true musical potential. Once, this was typical, but today, things are changing! Forget private recording studios, expensive equipment and high invoices: with n-Track Studio, having a professional music home recording studio and a comprehensive audio environment has never been easier and more affordable!
To activate n-Track running on a computer that cannot be connected to the internet you can use the Offline activation method.We strongly recommend, when possible, using the Online activation method instead as the Offline method is more prone to errors. After the online activation, n-Track doesn't require an internet connection, so if you can temporarily connect the computer to the internet, you can use the online activation.If you cannot connect the computer to the internet, not even for even a short time, to activate offline:open the Help menu and click on the 'Activation' command while holding down the SHIFT key.
a dialog will open. You'll find an alphanumeric code in the first text-box. This is the device id that you must send us in order to receive your offline activation code.
to receive your activation code, simply login to your n-Track account on the ntrack.com website from any device with an internet connection, and click on 'My purchases'. Copy and paste the device id into the textbox at the bottom of the page, click 'Get activation code' and wait for your activation code to be returned.
once you receive your offline activation code, copy and paste it to the Offline activation code text box inside the n-Track application.
press the 'Activate' button, and wait for the response that will be displayed in the text box on the top of the window.
If something goes wrong and you see an error message, copy and paste the message in the content of an email with subject Offline activation Failed, and send the email to support@ntrack.com.
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Let's assume that all went well and the tracks have been correctly recorded. Now you notice that the vocal track level is a bit too low in some places and too loud in others. More often than not, vocal tracks need a bit of compression. Use the n-Track Compressor plug-in that comes bundled with n-Track Studio to flatten out the vocal's dynamics, making the quiet parts louder and the loud sections quieter. Software effects processing via plug-ins is one of the most powerful features of software-based multitrack recording in geeral and of n-Track in particular. Effects plug-ins can be added from the effects browser (choose "compressor").
You may now need to cut unnecessary silent lead-in and lead-out parts in the mixdown audio file. Click on the button on the toolbar and select Destructive audio editing." Select the part of the track you want to cut out, then click on the cut button on the toolbar.
The last (optional) step is to burn the song to a CD-R. Open the CD burning dialog box using the View/CD Burning menu command. Import the mixdown audio file you just created, insert a blank CD and press the "Burn" button. You can also tell the program to mixdown and automatically burn the track to an audio CD by selecting the "Burn audio CD track" option in the mixdown dialog box. Good luck with your next song!
Normalization is the process of amplifying an audio signal so that its maximum amplitude matches a specified level. Normalization can be useful, for example, when preparing an audio file for burning a CD. Setting the maximum level of all CD tracks to 0 dB assures that no clipping occurs and that the playback level of all tracks is similar (assuming that all the tracks have been processed with similar compression and limiting settings).
This will insert the same audio file again. When the Shift key is pressed and held, the program automatically puts the new reference to the audio file in the same track as the copied part with the offset equal to the former end of the track, so that there will be no gap in the playback. Continue pressing Shift+Ctrl+V (or Shift+Cmd+V on a Mac) until the audio file is repeated as many times as you wish. You can also use this technique to create more complex loops. For example, if you want to create a drum track and you have two audio files, one for the normal bar and one for a break, you could paste the normal bar 3 times, the break bar 1 time, then copy and paste the whole sequence several times to make a long drum loop.
Let's say you just recorded that perfect drum take you want to use in your project, but a couple of drum hits are slightly off-timing. One way to fix this would be to manually edit the recording by slicing the audio region and dragging it to it's desired position, re-aligning it to the project's tempo. Although this is a valid solution, it may get time consuming on very long tracks or when there are many mistakes. n-Track's Beat Doctor provides the tools to quickly and easily fix the timing of your drums, percussion and other rhythmic recordings without having to manually edit the regions.
A group channel can have its own effects, can send its signal to aux channels and can have automated volume and pan just like a regular track. Group channels can in turn be sent to other group channels, allowing you to organize the song in a hierarchy of groups and allowing for great flexibility in the routing of signals.
Sometimes it is useful to apply certain effects only to specific parts of a track or to vary the amount of an effect during the evolution of the track. For example, you may want to increase the amount of a reverb during the chorus of a vocal track while keeping the reverb amount low during the verses.This kind of processing can be obtained using aux channels and send/return automation. In the preceding example, the reverb could be placed in the first aux channel, setting both the send and the return level for this aux channel to 0 dB. The amount of the effect can now be regulated by the send envelope. Click on the Draw Volume Envelopse icon on the toolbar and select "Draw send/return 1 volume" from the track's left panel droprown. Draw the send envelope so that, during the parts in which you want the effect amount to be greater, the envelope line is higher. In a similar way, different effects can be applied to different parts of the same track. If, in the preceding example, you wanted to substitute the reverb effect with a delay only during the chorus, you could put the reverb in the first aux channel and the delay in the second channel. Now you could draw the send envelope so that during the chorus, the send to the first aux goes to 0 (-Inf) and the send to the second aux channels goes from 0 to a suitable level, with the opposite happening after the end of the chorus. n-Track can handle up to 32 aux channels, so sophisticated real-time processing can easily be configured.If you are drawing many envelopes, it may be useful to view each automated parameter on a separate track. You can do this by clicking the icon on the track's panel.
In some situations, it may also be useful to apply volume or pan changes to a audio file in a permanent manner. This typically is needed when mastering a audio file resulting from the mixdown of a song (for example, to apply the final fade out).To apply destructive effects or envelope processing to a track, select Edit/Apply track effects/envelopes. Select the desired options from the box that pops up:
Tracks can be either mono or stereo. On a stereo track, the pan slider will simply act as a balance control, while it will actually pan a mono track to the left or to the right. Listening to a song in mono mode is often useful to ensure that the song is mono-compatible, i.e. that it will not sound bad when played on mono devices (old radios, mono televisions, etc.). You can select the playback mode by clicking on the channel Stereo/Mono state button on the channel mixer stripe:
MIDI is a system used to represent musical information. In its simplest form it represents a sequence of notes that make up a track or song.When you press a key on a MIDI keyboard n-Track will receive a MIDI event representing the note that was pressed and the velocity with which it was pressed. When you release the key a new event will be sent describing the release event. Unlike audio files and tracks, MIDI events and MIDI tracks have no sound by themselves. They are normally used to generate sound through a MIDI synth, which creates an audio signal for each MIDI event it receives. There are two fundamental ways to generate sound from an n-Track MIDI track:
Editing MIDI tracks can be useful for correcting imperfections in recorded tracks or for creating new tracks from scratch. MIDI tracks can be edited in the Piano Roll window: double click on any MIDI part. The Piano Roll view can also be activated by clicking the Piano Roll button on the track properties dialog box which appears when you double-click on a MIDI track.
Cut, copy & paste operations can be performed on MIDI events by selecting the desired events or by selecting the desired temporal interval (dragging with the mouse on the time axis). Once you have selected a group of events, click on the copy button on the toolbar, select the offset where you want the notes to be copied and press the paste button to paste the notes into the new position. Cut, copy & paste operations can be especially useful when composing MIDI drum tracks
When you select an instrument from the instrument browser, n-Track will create a new instrument channel with the instrument loaded up, and assign it to a MIDI track. To start writing MIDI, just click on the icon to open the piano roll window. 2ff7e9595c
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